Chapter I
Intro to the Anatomy Lesson:
Somewhere in the makeup of a story (term used loosely here) is a point, some guiding philosophy that runs through the entirety of the narrative locking it all together in a cohesive fashion that otherwise would be impossible to achieve by means of codex or concordance. Some liken the function of this point to that of a moral. For instance, don’t take candy from strangers is the point behind Hansel and Gretel, and also potentially the moral. Well, that’s all well and fine obviously, but often the morals are a little too ambiguous to be ‘Morals’ proper, and thus the term ‘Point’ seems far more appropriate to govern over all possible cases of story (again used loosely here).
The argument runs as follows: if the point of a story has a direct one to one correspondence with the moral of the story, and the story has a point, then common courtesy requires that it ought to have a moral. Even if you completely throw out the notion that a moral has a greater life in the more complicated and general concept of ‘Morality’ or ‘Ethics,’ a story may still stand on shaky ground concerning the whole moral issue. What moral value is meant to be extrapolated from this story, for instance. Is it that drugs can bring you closer to spiritual fulfillment? That the broken can somehow be fixed? That love and faith can blindly lead you to salvation? That ill placed love often leads to damnation? These hardly seem adequate to describe the entirety of the events here, and certainly do not correspond one to one with the point of this story. But this descepency can only be discovered ultimately by defining the point of this story.
Therefore, the point of this story (which we have on Ultimate authority) is: What next? Not in a seemingly plod along one event after another journey through a number of circumstances which do not affect each other in the slightest, but in the truly esoteric, grand philosophic, and overly meaningful interpretation of Next. What is the Next, in fact, to which we are referring? Or more importantly: what Last? For Next is important but Last is paramount, and this is the story of the paramount Last, though this is not a recommendation to read ahead. The last page will make no sense.
But if Next, or Last, then obviously, what First, as any ordering of events must ultimately dictate a starting point? Where to start, or if there is any truth to consistency, what First? Should the start be the tribulations of two low-lifes scumming their lives away in an abandoned hotel, barely maintaining their sanity, standing very much on the brink of death? Should start entail a strange scenario wherein one of the hallucinating low-lifes saves the life of the other hallucinating low-life? Is that really what First? Or is that the Next after the First? The problem arises when we assume that the Nexts taken in sum, should add up to an overall moral, even if we allow for ambiguity within our definition of what that moral truly is. What really can be said about a Broken Bobby from the vantage point of our current First? What really can be said about our diamond decanter filled with nightshade, our ever vigilante, always beautiful Slam? What finally can be said there about the Last, if that is our First? Maybe we should go further back to an obvious First, to births, and proceed from there to our Nexts, and then finally to the Last? Maybe we should cling blind as faith to the only First we can find, and see if there isn’t a God there in the details?
Bobby born to On The Pill Mommy. Twice Shy Bobby. On a bike Bobby? Good start Bobby. Daddy in the city making lot’s of money. Business Good Daddy. Put braces on your teeth and straighten out your spine Bobby. Go to school Bobby. Fit in Bobby. Light small fires when no one is around Bobby. Swear like a storm Bobby. Mommy catch you Bobby, gonna beat you Bobby.
This First, of course, incurs generalization. It fails to concentrate on any specific event relative to the necessity of our Next. So, though we learn a number of lessons, we do not know how those introductory principals, such as pyromania and the overall effect of a near absent father figure, ultimately lead to Broken Bobby hallucinating about Japanese war flags from the Presidential suite of the Pacifica Hotel. We have obviously skipped too much, or perhaps not included enough. In an event driven narrative, we have effectively summarized events to the point of their exclusion. Therefore, we find it necessary to find some detail which might describe, in minutia, the overall downfall or breaking of Bobby which ultimately leads to this scene wherein he nearly falls five stories but is saved by Slam.
Unfortunately, this detail must encompass a large potential of time. Bobby, in fact, does not find himself in the aforementioned scene until he is eighteen. Therefore, the description must summarize many years of dysfunction, disillusionment, and abuse. However, we must remain aware that no such event can or should exist. Therefore, we must contrive it, and though it may readily describe the effect which we mean to achieve by our First, there will obviously still be those who criticize the construct’s manufactured, and therefore false, nature. However:
-Glad you could make it Mrs. Tutt-Gramsisky. Bobby seems a little detached, unable to make nice with the other children, and he’s having a little trouble fitting the mold that we are attempting to force his young impressionable mind into. We’ve tried beating him, but it only seems to be making matters worse. For instance, in class yesterday, Bobby painted this.-
-Well I can assure you that I’ll put a stop to this painting business. I know that there were no imaginative people on MY side of the family...-
-No, it’s not so much the painting. Actually, we feel that having the children paint is a good way to persuade them that life is not all about ‘Dog eat dog’ conformity...-
-I’ve never heard of such a thing.-
-Well, we must first give them hope if we mean to eventually dash it. However, what bothered us most was that Bobby has obviously painted a blue sky. Now Mrs. Tutt-Gramsisky, as you are probably well aware, we are trying to prepare your son for a world where the sky will not be blue. If we let him hold on to this security blanket of his, what are we to say to the other children when they start asking the tough questions?-
-I see.-
-We’re just trying to do our job around here, and we feel that for the safety of the entire new crop, we need to nip this problem in the proverbial bud... We were hoping for your cooperation.-
-Well, let me see... I suppose I could get a divorce. That way, he’d see that not even love lasts forever.-
-Well it’s a start. Could you perhaps also become more concerned about your career.-
-Oh! I already put my career before my child. That goes without saying.-
-I didn’t mean to offend you ma’am, what I was simply suggesting is that perhaps after leaving your husband, you could start working longer hours, maybe bring your job home with you a little more.-
-Well, who would watch Bobby? I mean, I think it’s illegal for me just to leave him without supervision.-
-Oh, I wouldn’t worry about Bobby. We won’t tell. You could let the television baby sit him. Do you have any of the graphically violent or overtly sexual premium cable networks?-
-No.-
-Well, Mrs. Tutt-Gramsisky, don’t you think you should?-
-I’ll get on it right away.-
-Perhaps you should also buy a gun. Keep it someplace easily accessible, maybe, hmm?-
Scribble, Scribble, Scribble.
-What’s this?-
-It’s the name of my coke dealer, I think you should take up the habit, maybe with a new boyfriend perhaps...And Mrs. Tutt-Gramsisky, if the man wants to beat the child, by all means let him.
-Of course. Thanks for bringing all this to my attention. I’ll get a divorce right away.-
-May I ask on what grounds?-
-Well, I was thinking of letting my husband catch me in bed with another woman. I mean, I haven’t done that sort of thing since college, but I’m sure it’s just like riding a bike.-
-Actually, it would probably be best if Bobby caught you, lots of irreparable damage and all that. Does Bobby know about sex?-
-Not really, he’s been asking questions, but its uncomfortable for me to talk to him, so I just avoid the subject. Am I doing the right thing?-
-Yes, but if he’s not going to find out about sex from you, then he’s got to learn somewhere else.-
-Like here.-
-Oh my word no, Mrs. Tutt-Gramsisky, that’s not our responsibility. We just show them pictures of your uterus, nothing too explanatory. Most of the children think that they’re looking at a picture of a bull. Do you own a computer?-
-Of course.-
-Well, perhaps you could bookmark Pigsuck.com. Bobby’s curious. He’ll explore the site, and then he’ll understand what he’s watching on his ...birthday, perhaps?-
-Good idea. Wow, you guys really know what you’re doing around here.-
-Well, we are professionals. One last thing Mrs. Tutt-Gramsisky, do you think that you could persuade Mr. Tutt-Gramsisky to take a job somewhere else in the country after the divorce? Our studies show that a strong father figure can really help out a child, and we wouldn’t want that of course. Minds become harder to mold and such.-
-Of course.-