Tuesday, August 24, 2004

Ars Blogica

Avram Hooknoobie, aka Kyle, applauded (I think) my work on this blog--saying, in effect, that a writer writes. It is an old adage. Perhaps you've heard it before, but perhaps not. But it's true, a writer does write. In fact, this can be used two ways. If you're writing (Jason) then you are a writer. If you are not writing then...well, maybe you should re-think your job description. I mention Jason, of course, because he writes constantly and never lets anyone see any of his work--the same held true for the bastard's master's thesis as well as the short stories, or whatever they are, that he produces, I can only imagine, at a flurry that would make this paltry blog look...well, paltry I suppose. If you know Jason, you know that you'd probably want to read his work. His fiction 59's were incredible (and disturbing). I have seen one or two pieces from him and can tell you with all certainty that he is gifted, talented, and worthy of the jealousy that I have for him. And though I want him dead, I also want to read his stuff. Aye, there's the rub.

From my own point of view, I have recently not been a writer. A few things here, a few things there, but nothing really of note. This is a major problem when you're working on a novel, which I am. It is an even worse problem when you are nearly two hundred single spaced pages into your novel and you feel that you've run out of steam, which I do. And the problem in a nut shell is that I have not been a writer. I have not written.

Oh to be sure, my character, Death Monkey, in Baldur's Gate II kicks major butt, and my Eldar army is almost nearly painted, but when all is said and done there is no great reward for the well painted army, nor shouts of hurrah from the general public when I tell them that my character now possesses both the staff of themagi and the ring of Gaxx. But a big fat book on the shelf of Barnes and Nobel...well, that's another story indeed.

One may, of course, mention that I have a master's thesis under my belt as well, and that such a tome pretty much represents a book, but it's really not the same thing. And though I am proud of the effort I put into my thesis, I am less enthusiastic about the output. It is as incomplete as my novel in many respects, and requires far more editing than the novel on the work that is already there.

So, there it is--file Fullshock4n taking up 658 kb of my computer's space, day in, day out. Waiting for me to write another sentance or paragraph. But unfortunately, it would take a writer to finish the book, and as I mentioned before, I have not been a writer--recently, at least.

When Kyle says, "aha, I see what you're doing. You're writing. You're being a writer." He's absolutely right. And when he says, "I know why you're doing that." Well, he's right about that as well. He's officially hit the nail on the head.

See, before you say, "but that's absurd. You are a writer, now get to writing," realize that I'm not so far out there as you might believe. One of the greatest problems with thinking of yourself as a writer is that other writers have come before you. I mean yeah, sure, you can read Tom Clancey and say, "well, I can surely write as well as this guy," but that's a fallacy. With Clancy it isn't skill that's the issue--it's speed. To put it quite simply, I stopped writing poetry once I read Rilke, Stevens, and Vallejo. I mean, it's easy to say you're a poet when you've only read the lesser people, but the real poets, I mean the real poets, they're hard to contend with.

I have no problems like this with fiction--novels and short stories--because, there, I've read the real master's, and while I'm not always on their level, at times I am. The problem is that when you hear these guys biographies, you realize that they're habits are nothing like yours. I'm not talking about the socializing and the drinking and the opium smoking or any of that stuff. Some writers were crazy party animals. Others never made it out of their homes. The thing about all these writers is that they wrote, they wrote constantly. Ray Bradbury says that he writes a story a day. I'm lucky if I get a story a season--lately, a year.

I'd love to say that it was working at the woodshop that kept me from really getting into the story writing mood, but heh, Wallace Stevens was an insurance underwriter and he managed to write Sunday Morning. So, a writer writes, and here I am writing. I'm trying to write some everyday, trying to knock the dust off the Shock Tea machine, and I think...well, I think this may just be working.

The other side of this is, of course, that Jason will see the ammount that I write in a day and proceed as if it were the norm, forcing him to double his output which he will show to no one, until he produces a real gem, which he'll show to me, forcing me to curse his talent even more, and move my own writing up to a higher gear. Hey Jason, what was the name of Mozart's rival in Amadeus? Kyle, Lynn, the same goes for you too.

And, of course, I wouldn't be telling the whole story if I didn't include you, the audience, the readership, the people who actually make it through my long winded entries. It's strange because I have been pretty much writing under the assumption that no one was reading this thing. I just figured I was writing as a sort of journal. Still, it would've been nice to have an audience. Then I started to receive e-mails from various friends who said they are reading my blog. While this should have meant that I now had reason to write, and therefore, would write more, it has had a strange side effect. I wrote two blogs yesterday, for instance, and didn't put them up because I didn't figure they were in keeping with the spirit of this thing. Hell, this blog really isn't in keeping either, to tell the truth, but whatever. Next time, I'll be more ammusing. I promise.

2 Comments:

Anonymous Anonymous said...

Hey, Kyle said this couldn't be done.

7:18 PM  
Blogger Avram Hooknoobie, Grand Muck of All That is Writ said...

Posted by: Avram Hooknoobie, Grand Muck of All That is Writ.

I am the Kyle, Goo Goo Ga Joob, and it should come as little surprise that I do heartily endorse the ongoing proliferation of words being typed on this blog so that others may read them and possibly create other written works which may or may not end up on a shelf of the great collecting house Barns and Ignoble.

I say this with certaintude because if you really truly want to produce a novel, chapbook of poems, work of any length you are going to have to actually produce a wombatload of words -- which will, in time and great care grow to become The Bugger. And The Bugger is only a bugger if it do so go forth and bug others. You have to have others read it and then you respond to what they said, by either fixing stuff, or saying,

"F them!! By gorry by gosh by jingum. I'm keepin my baby na na na just the way it is. Go ahead then see if I don't."

Or filing it in a pile, resorting it, refiling it, letting it sit in a pile for 20 years until it is finally unearthed,compacted, and recycled as firelighters.

Ah but my little Grebonkowitch, you ask, iz all
dis blogging worthy of note? Will it actually be of worth to my future tome? Yeah, because after you respond to 20 emails, check Brian's Blog, and my new Bloggy Blog, and Blog your brains out at Blog Me Baby One More Time -- which Brian sings with gusto to appreciative Frat Guys -- you will have gotton your juices flowing. Maybe even opened up a secondary window to jot down a few ideas as you responded to all that other stuff.

Writers write letters to other writers. It is usually the same tedious stuff we write to eachother.
How's life? Blah Blah Blah. Just look at any collected letters of some famous writer. Yes some are noteworthy,
funny, etc. But most are people living and bitching about the same crapthat keeps us from writing ourselves. Had this great poem called "Kubla Khan" and some idiot interrupted me just as I was getting into a groove.

But letter writing produces a profundity of
words. Some of which may make it into your opus. I've got some great short stories from some flip comment I or another made in an email. And when you are famous,you can collect all your emails and publish them as the third book for your contract when you
don't know what else to write.

And yes you should share your stuff. Writers communicate with other writers, if nothing else than to
see the crap they are coming up with and feeling like hey I write crap too. And I have good stuff, and they have good stuff, and all is wonderful in my happy life. Many writers share their perscription lists so they can be productive. If you write stuff that is the bomb, share it. Share it when it ain't the bomb so others can see early versions of that which will eventually become the bomb.

One of the best comments I had a writing mentor give me was "Well you turn in some incredibly rough stuff, but it always ends up beautifully refined and polished at the end." {i.e crap now, but crap with a future. She also asked me once how I could justify teaching writing at the college level when I wrote like I wrote when I turned in writing to her}

I say this in response to Brian's bit about Jason's writing being a gem. Yes I'm sure it is a gem, having not attended said workshop. But any writing is a gem eventually if you keep wacking away at it. You can hone and hone and refine all you want individually -- but
it probably takes as long as a real geologic gem is created. Couple million years. Share. You'll feel better. Fuck the ones that don't like it. Start building up that ego. The only one who wants you to write is ...

And Brian's point about enemies. Ah my befuddled Lochinvar. Do you really need an enemy? I are not so sure on that one. The answer to Brian's question about who Motzart's "enemy" was:

Antonio Salieri played by F. Murray Abraham. But the
screenplay, written by Peter Shaffer, who also wrote the play - {Thank you Internet Movie Database although I do own a copy of the original Movie Poster}
has Salieri narrate the movie from within the sanitarium. It is in fact Saliari who professes to be
Wolfgang Amadeus Mozart's {played by Tom Hulce} enemy. Salieri is blinded by his own feelings of unworthiness in comparison to his hero's skill and notoriety. Motzart was portrayed by Salieri as a turd -- but what do you expect of an untrustworthy narrator?
Naysayers would just point out that it's all inaccurate anyway. Salieri was well repected, and many have pointed out both composers shared work when otherwise engaged. They probably partied together and frequented the same powdered wig boutique.

All beside the point. Don't write to outdo your enemy. That way lies madness. They may decide to write you "Number 9 with a bullet." Or you'll end up in a sanitarium. Hate to say it, but there is always someone BETTER than you {at some things.} Find what you are good at irregardless of there being others doing it. Embrace diversity. Yes, Williams, and Ai, and Cisneros, and, and, and, have all written drop your jaw, kick your butt phenomenal poems. That mean you can't? Diversity is good. That's why you don't have THE ONE ALL THAT IS PERFECT NOVEL, or poet, or author. You have a list of your favorite authors and books. See Brian's list entry. At some point your name will be on many other people's lists -- along with Spuzzco the wonder monkey and Steinbeck. You may not like that person, but they bought your book and other more worthy people have read your book, and some worthy people have not.

So spake he who stayed at work a whole hour to finish this

2:15 PM  

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